In my artistic research, the concept of the transition of human presence within the space and time of an environment, the coexistence of heterogeneous elements through lived experience and observation, are involved under the prism of an abstract approach and redistribution of the painting form.

With a focus on radical abstraction and the search for impressions of the real, the forms remain almost universally implied within a changing urban landscape.

From the act of transfer as a process of transformation, within the new data of the present, a new condition seems to be created, marking new modes of operation and communication. By mapping the new landscape, a new visual challenge is born, a new image, prompting the viewer to contemplate their own projections and provoking new interpretations.